ROLLING STONES - Angie / Silver Train 7" Single

"Angie" is a song by rock and roll band ROLLING STONES, featured on their 1973 album Goats Head Soup.

ROLLING STONES - Black and Blue

"Black and Blue" is the 13th British and 15th American studio album by The Rolling Stones, released in 1976. It was the band's first studio album released with Ronnie Wood as the replacement for Mick Taylor.

ROLLING STONES - December's Children

"December's Children (And Everybody's)" is the fifth American studio album by The Rolling Stones, released in late 1965. Drawn largely from two days of sessions recorded in September to finish the British edition of Out of Our Heads and to record their new single—"Get Off Of My Cloud"—December's Children (And Everybody's) also included tracks recorded as early as 1963.

ROLLING STONES - Emotional Rescue LP

"Emotional Rescue" was recorded throughout 1979, first in Nassau, Bahamas, then Paris, with some end-of-year overdubbing in New York City, Emotional Rescue was the first Rolling Stones album recorded following Keith Richards' exoneration from a Toronto drugs charge that could have landed him in jail for years. Fresh from the revitalization of Some Girls, Richards and Mick Jagger led the Stones through dozens of new songs, some of which were held over for Tattoo You, picking only ten for Emotional Rescue.
 

ROLLING STONES - Flowers

"Flowers" is an American compilation album by The Rolling Stones, released in 1967. The songs either appeared as singles, had been omitted from the American versions of Aftermath and Between the Buttons, were collected from studio sessions dating back to 1965, or are reissues of songs recently released on other albums.

ROLLING STONES - Get Yer Ya-Ya's Out

"Get Yer Ya-Ya's Out!": The Rolling Stones in Concert is a live album by The Rolling Stones, released 4 September 1970 on Decca Records in the UK and on London Records in the US. It was recorded in New York and Maryland in No vember 1969, just before the release of "Let It Bleed".

ROLLING STONES - Harlem Shuffle

"Harlem Shuffle" is an R&B song written and originally recorded by the duo Bob & Earl in 1963, it was covered by The Rolling Stones on the album Dirty Work (1986)

ROLLING STONES - Honky Tonk Woman

The song "Honky Tonk Women" was written by Mick Jagger and Keith Richards while on holiday in Brazil from late December 1968 to early January 1969. Inspired by Brazilian gauchos at the ranch where Jagger and Richards were staying in Matão, São Paulo, the song was originally conceived as an acoustic country song.

ROLLING STONES - Let it Bleed

"Let It Bleed" is the eighth British and tenth American album by English rock band The Rolling Stones, released in December 1969 by Decca Records in the UK and London Records in the US. Released shortly after the band's 1969 American Tour, it is the follow up to 1968's Beggars Banquet and the last album by the band to feature Brian Jones as well as the first to feature Mick Taylor.

ROLLING STONES - Live Detroit Nov 1969 1/2 Blue Print

This is the first record out of set of two, the second album has R.S. printed in black on the front album cover

ROLLING STONES - Live Detroit Nov 1969 2/2 Black Print

This is the second record out of set of two, the first album has R.S. printed in blue on the front album cover

ROLLING STONES - Made in the Shade

"Made in the Shade", released in 1975, is the first official compilation album by The Rolling Stones during their Atlantic Records contract. It draws entirely from their first four albums on that label.

ROLLING STONES - Miss You / Far Away Eyes 7" PS Single

"Miss You" was written by Mick Jagger jamming with keyboardist Billy Preston during rehearsals for the March 1977 El Mocambo club gigs (yielding side three of the Love You Live album). Keith Richards is credited as co-writer.
 

ROLLING STONES - NO 2 / VOL 2

ROLLING STONES No. 2 is the second UK album by ROLLING STONES released in 1965 following the massive success of 1964's debut ROLLING STONES. Not surprisingly, ROLLING STONES No. 2 followed its predecessor's tendency to largely feature R&B covers

ROLLING STONES - Out of our Heads

"Out of Our Heads" is The Rolling Stones' third British album and their fourth in the United States. It was released in 1965 through London Records in the US on 30 July 1965, and Decca Records in the UK on 24 September 1965 (in both mono—catalogue number LL3429; and in stereo—PS429), with significant track listing differences between territories.

ROLLING STONES - Paint it Black 7" PS Single

"Paint It, Black" is the song released by The Rolling Stones, on 13 May 1966 as the first single from their fourth album Aftermath. It was originally titled "Paint It Black" without a comma. Keith Richards has stated that the comma was added by the record label, Decca.

ROLLING STONES - Steel Wheels

 "Steel Wheels" is the 19th British and 21st American studio album by The Rolling Stones and was released in 1989. Heralded as a major comeback upon its release, the project is notable for the patching up of Mick Jagger and Keith Richards' relationship, a reversion to a more classic style of music and the launching of the band's biggest world tour at the time. It is also long-time bassist Bill Wyman's final studio album with the Rolling Stones, preceding the announcement of his departure in January 1993.

ROLLING STONES - Sticky Fingers

"Sticky Fingers" is the ninth British and eleventh American studio album by English rock band The Rolling Stones, released in April 1971. It is the band's first album of the 1970s and its first release on the band's newly-formed label, Rolling Stones Records, after having been contracted since 1963 with Decca Records in the UK and London Records in the US. It is also Mick Taylor's first full-length appearance on a Rolling Stones album, and the first not to feature any contributions from founding guitarist Brian Jones.

ROLLING STONES - Stone Age/Got Live if you want it

"Stone Age" is a compilation by The Rolling Stones released on the Decca label in 1971.
 

ROLLING STONES - Undercover

"Undercover" was The Rolling Stones first release of all new recordings in the 1980s. With the advent of the MTV generation, the band attempted to re-invent themselves for a new era.
 Album cover design by Peter Corriston